Herbert Howells’ Magnificat and Nunc Dimittis (Collegium Regale), for SATB and Organ accompaniment, is a vibrant sacred work with beautiful voicings and a. Magnificat and Nunc dimittis for St Paul’s Cathedral, also known as the St Paul’s Service, is a setting by the English composer Herbert Howells of the Magnificat and Nunc dimittis for others being his settings for King’s College Cambridge ( Collegium Regale) and for Gloucester Cathedral – where the music “burns through. Herbert Howells () .. The Collegium Regale Magnificat and Nunc dimittis have rightly become the most celebrated settings of the twentieth century.

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This is a stunning recording in so many respects. I love all beauteous things. The text is dispatched quickly and efficiently and Howells reserves his most expansive music for the concluding Gloria.

Other recordings available for download. This was the tradition in which he had served his apprenticeship as an articled pupil of Herbert Brewer at Gloucester Cathedral in his teens, the tradition in which he began his working life in as sub-organist of Salisbury Cathedral ill health obliged him to relinquish this post after only a few months.

Milner-White had clearly not forgotten about Howells, and now the seed that he had sown in was about to flower. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

The all-time greats Read about the artists who changed the world of classical music. Views Read Edit View history. The St Paul’s Service is scored for a four-part choir and organ. But Howells is not raiding earlier scores because of a shortage of inspiration: The Rodolfus ChoirRalph Allwood conductor.

June Total duration: The concert featured music by composers associated with the university and its colleges, including Gibbons, Walmisley, Sterndale Bennett, Alan Gray and Patrick Hadley. Scored for four-part choir and organit was written in for St Paul’s Cathedral in London.


Retrieved from ” https: A stalwart of the church liturgy first conceived as far back as ADthese settings span over years of English And for all those devoted to art of Howells, the early psalm chants and the slightly more mature Rhapsody in D flat of a little redolent of Parry perhaps?

The interior of St Paul’s Cathedral. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. This laid down a template in sound which was to see cathedral organists queuing up to secure their own piece of Howells.

HOWELLS Collegium Regale |

The site is also available in several languages. Paul’s Cathedralperformed by the cathedral choir conducted by John Scott with organist Christopher Dearnley[6] and a overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott Whiteley.

By using this site, you agree to the Terms of Use and Privacy Policy. Long before Cambridge, long before it was even suspected that Howells would become the composer of the church music with which he is now pre-eminently associated, even howdlls the Piano Quartet and Rhapsodic Quintet for clarinet collegiuj strings, prize-winning works that marked him out as a force to be reckoned with in modern British music, Howells had begun to contribute with distinction to the repertoire of the cathedral organist.

Howells had had no previous association with Cambridge before being invited to deputize for Orr.

The site is also available in several languages. The piece has been recorded several times, [5] including a collection The Music of St. The composer’s biographer, Christopher Palmerdescribed the St Paul’s Service as being one of the three Howells canticle settings that “tower above the rest” — the others being his settings for King’s Howeells Cambridge Collegium Regale and for Gloucester Cathedral — where the music “burns rgeale the words’ patina of familiarity into a dramatic and purposeful entity”, while reflecting their “constantly varying nuances and inflections”.


Mary sings the Magnificat “My soul doth magnify the Lord” on the occasion of her visit to Elizabeth regald, as narrated in the Gospel of Luke Luke 1: Attention to dynamic detail, especially the hushed quality of the Magnificatbrings out the ethereal, not to say numinous character of this highly original miniature, imbued as it is with a whiff of French Impressionism.

Simeon sings the Nunc gowells “Lord, now lettest thou thy servant depart in peace” when Jesus is presented nowells the temple Luke 2: The darker, modal hues of the Te Deum and Jubilate benefit from the lavish role of the Coventry Cathedral organ, especially at points of climax with which both movements aboundwhile moments of more characteristic Anglican prayerfulness are shaped by Layton and the Trinity choir with true, intimate poetry.

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Magnificat and Nunc Dimittis: Collegium Regale

His setting has poise and structure, and magnifivat convincingly to a final peroration. Stephen Layton and his award-winning choir took the trip to Coventry Cathedral for this very special recording. This magnificient programme sung by The Temple Church Choir explores three fascinating and contrasting settings of the Te Deum: From Wikipedia, the free encyclopedia.

Book of Common Prayer; Jubilate: Hyperion offers both CDs, and downloads in a number of formats. Don’t show me this message again.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. When the war ended Howells was made a fellow commoner, and in the college granted him an honorary fellowship.